Nathalie Djurberg e Hans Berg a Rovereto Artribune
Hans Berg Hans Berg collects digital and analogue sounds to score his film collaborations with Nathalie Djurberg. Galleries Artwork Survey: 2010s 19 Images Artwork Survey: 2000s 5 Images "Images evoke emotions; music or sound do it even more. Hans is an expert manipulator in that way." Nathalie Djurberg
Nathalie Djurberg & Hans Berg Who am I to Judge, or, It Must be
Originally organized by the Walker Art Center, Minneapolis, Djurberg has adapted this spectacular installation for the New Museum's Studio 231 space. In the hands of Swedish artist Nathalie Djurberg, animation becomes a medium for transgressive and nightmarish allegories of desire and malcontent. Since 2001, she has honed a distinctive style.
Natalie Djurberg IDIS
The animation begins with an overview of the table, elegantly set with the china and confections. The ballerina joyfully dances about it until a melting candle, to her distress, covers her in.
Nathalie Djurberg & Hans Berg A Pancake Moon Exhibition at Tanya
Mixing animation, sculpture and sound, Nathalie Djurberg and Hans Berg create psychologically charged scenarios dealing with human and animalistic desires. Since 2001, Djurberg has developed a distinctive style of filmmaking, using clay animation to dramatise the basest of natural instincts from jealousy, revenge and greed, to submission and lust.
NATHALIE DJURBERG & HANS BERG The Blank Contemporary Art
Her clay animation videos (with wildly inventive soundtracks composed by her collaborator Hans Berg) appear sweet and idyllic at first glance, but the action generally takes dark, twisted and disturbing turns as her characters act out wild revenge fantasies and other violent scenarios. Djurberg was included in a 2006 Hammer Project, Animations.
PREMIO PINO PASCALI 2012 NATHALIE DJURBERG & HANS BERG Fondazione
Nathalie Djurberg and Hans Berg, an artistic partnership established in 2004, have created narratives encompassing symbolism and emotional depth, drawing from allegorical myths and vivid, nightmarish imagery.
Nathalie Djurberg & Hans Berg, Putting Down the Prey, 2008, still from
Lisson Gallery Shanghai is delighted to announce its first exhibition of work by the Swedish artistic duo, Nathalie Djurberg & Hans Berg.Following their recent show, 'A Moon Wrapped in Brown Paper', at Shanghai's Prada Rong Zhai, this presentation sees the artists - known for their psychologically-charged clay-animation films and adventurous sculptural works - immerse the gallery.
Nathalie Djurberg & Hans Berg Extraterrestre
November 1 - December 20, 2019 New York One Last Trip to the Underworld is the world premiere of four video works by sculptor and stop-animation video artist Nathalie Djurberg and electronic composer Hans Berg.
Nathalie Djurberg & Hans Berg Artlog
The Swedish artist Nathalie Djurberg (b. 1978) is best known for her animated films. These may seem sweet and innocuous on first acquaintance, but in her work Djurberg addresses themes such as obsession, power, pleasure, desire and violence. In her films she creates animated, surrealistic 'fables'.
Deceiving Looks Nathalie Djurberg & Hans Berg Artists Artist
Nathalie Djurberg and Hans Berg create animated worlds with sculptures, sound and moving images, capturing inner states - deepest darkness and wildest euphoria. Here you can read an introduction to the exhibition. Pass through feverish daydreams about role play and desire, with comedy and darkness, set to hypnotic music.
Nathalie Djurberg Animation, Berg, Male sketch
The exhibition, a collaboration between Berg and artist Nathalie Djurberg, has been titled Secret Garden, and naturally, given all of its enchantment and ambience, immediate associations arise.
Nathalie Djurberg & Hans Berg SCHIRN MAG
Natalie Djurberg's artistic animations introduce the viewer into a world of miniaturized, disfigured, mutilated and often grotesque animals. The human beings are transformed into caricatured figures. Some of Djurberg's notable works are: New Movements in Fashion (2006), The natural Selection (2006), Turn into Me (2008), I Found Myself Alone.
Nathalie Djurberg and Hans Berg Now Repped by Tanya Bonakdar
Nathalie Djurberg: We never create art for a space, it always starts with an idea of the work itself, and the idea usually emerges once we have been obsessed with it for quite some time. But it's interesting to exhibit a work in different venues, because the space changes the work, and forces us to think differently, and see different aspects.
NATHALIE DJURBERG & HANS BERG AL MART ROVERETO James Magazine
Nathalie Djurberg and Hans Berg, Still from The Soft Spot, 2021. Stop motion animation, music. 8.41 min. Courtesy the artists, Gio Marconi, Milan Lisson Gallery, London, New York, Shanghai Tanya Bonakdar Gallery, New York, Los Angeles.
Nathalie Djurberg Art videos, New media, Animation
Djurberg and Berg began working together in 2004, and are known for creating immersive, landscape-like installations that amplify the textures of the subconscious through stop-motion animations or claymations, flora and fauna sculptures, and soundtracks by Berg that expand into spatial, sonic, and affective sensory realms.
PostBreakup, Artist Duo Nathalie Djurberg and Hans Berg Present Their
Nathalie Djurberg and Hans Berg's "A Pancake Moon" reinforces gendered tropes with an animation of a feminized egg threatened by forest creatures.